Gauri as woman protagonist in Mulk Raj Anand's novel
Autor/in:
Yadav, Shashi
Quelle: International Letters of Social and Humanistic Sciences, (2015) 60, S 134-136
Inhalt: Through this novel "Gauri" Mulk Raj Anand expresses his indisputable concern for the suffering humanity of India. It forces one to ask a few questions about the Indian character of woman. We call the woman as "Mother", "Goddess" and claim that our society always been given due respect to women. At the same time, we also beat them ablaze or turn them out of the house. Mulk Raj Anand's novel Gauri eloquently exposes the hypocrisy of our society. It not only voices a strong protest against ill treatment of women but also explores through the example of Gauri what woman in India should do for her emancipation.
Cultural identity in Eugenia Kim's The Calligrapher's Daughter
Autor/in:
Ng, Wen Lee; Wan Yahya, Wan Roselezam; Mani, Manimangai
Quelle: International Letters of Social and Humanistic Sciences, (2015) 62, S 131-139
Inhalt: Eugenia Kim’s The Calligrapher's Daughter (2009) is a well-received East Asian novel about a Korean Christian, Najin's encounter with western culture. As an aristocratic woman, she is expected to uphold Korean tradition. However, as Najin realises that she is culturally marginalised by her father and the Korean traditional society mainly due to her gender, she picks up a foreign culture introduced to her, western culture. This move is extremely significant because after Najin driven by cultural marginalisation to embrace western culture, her cultural practices are no longer the same with traditional Korean women. This important turn of the novel has not been explored by scholars extensively. Thus, this study aims to depart from the cultural marginalisation faced by Najin. Furthermore, due to the fact that cultural identity formation is highly influenced by culture, there is a need to look into the changes of Najin’s cultural identity as she incorporates western culture into her Korean traditional culture. By investigating the changes of Najin’s cultural identity throughout the novel, this study finds that Najin has transformed from a nameless girl without an identity into an independent woman with the help of western education.
Schlagwörter:Christentum; Literatur; Tradition; Ostasien; Roman; Emanzipation; Marginalität; Western world; culture; woman; kulturelle Identität; emancipation; westliche Welt; cultural identity; literature; Kultur; Christianity; tradition; marginality; Far East; novel; Korea
SSOAR Kategorie:Kultursoziologie, Kunstsoziologie, Literatursoziologie, Frauen- und Geschlechterforschung
A study of Carter's Wolf-Alice based on showalter's gynocriticism
Autor/in:
Nouri, Azadeh; Aziz Mohammadi, Fatemeh
Quelle: International Letters of Social and Humanistic Sciences, (2015) 48, S 1-8
Inhalt: One of the most radical and stylish fiction authors of the 20th century, Angela Carter, expresses her views of feminism through her various novels and fairy tales. Carter began experimenting with writing fairy tales in 1970, which coincided with the period of second wave feminism in the Unites States. The majority of Angela Carter's work revolve around a specific type of feminism, radical libertarian feminism and her critique of the patriarchal role that have been placed on women. In this article, the main concentrate is on heroine’s internalized consciousness which echoes in their behavior. All of the female protagonists in carter's short stories; such as The Company of Wolves, and Werewolf and mainly in Wolf-Alice have similar characteristics with different conditions, in which they are represented in a very negative light with less than ideal roles. In these stories, the protagonist is a young girl who has many conflicts with love and desire. Carter attempts to encourage women to do something about this degrading representation.
A gynocritical study of The Company of Wolves by Angela Carter
Autor/in:
Nouri, Azadeh; Aziz Mohammadi, Fatemeh
Quelle: International Letters of Social and Humanistic Sciences, (2015) 48, S 100-106
Inhalt: In 1979, Carter published one of her mast renowned collections of short fiction, The Bloody Chamber. The majority of Angela Carter's work revolve around a specific type of feminism, radical libertarian feminism and her critique of the patriarchal role that have been placed on women. which she promotes feminist due to her style, referred to as "Galm-Rock" feminism In this article, the main concentrate is on heroine's internalized consciousness which echoes in their behavior. All of the female protagonists in carter's short stories; such as The Werewolf, The Wolf-Alice, and mainly in The Company of Wolves have similar characteristics with different conditions, in which they are represented in a very negative light with less than ideal roles. In these stories, the protagonist is a young girl who has many conflicts with love and desire. Carter attempts to encourage women to do something about this degrading representation.
A study of carter's The Snow Child in the light of Showalter's theories
Autor/in:
Aziz Mohammadi, Fatemeh
Quelle: International Letters of Social and Humanistic Sciences, (2015) 48, S 133-137
Inhalt: Angela Carter was an English fiction writer and journalist. Her female protagonists often take an empowered roles where they rise up against oppression and fight for both sexual and political equality. The actions of these women are direct reflections of the feminist movement that took place in the 1970s. The concepts within this movement relating specifically to the ideologies of radical-libertarian feminist, and regarding the extent to which she promotes feminist due to her style, referred to as "Galm-Rock" feminism. Carter began experimenting with writing fairy tales in 1970, which coincided with the period of second wave feminism in the Unites States. The majority of Angela Carter's work revolve around a specific type of feminism, radical libertarian feminism and her critique of the patriarchal role that have been placed on women. In this article, the main concentrate is on heroine's internalized consciousness which echoes in their behavior. All of the female protagonists in carter's short stories; such as The Courtship of Mr. Lyon, The Tiger's Bride, The snow child and mainly in The Bloody chamber have similar characteristics with different conditions, in which they are represented in a very negative light with less than ideal roles. In these stories, the protagonist is a young girl who has many conflicts with love and desire. Carter attempts to encourage women to do something about this degrading representation.