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International Letters of Social and Humanistic Sciences (3)
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Edward Said’s Orientalism and the Representation of Oriental Women in George Orwell's Burmese Days
Quelle: International Letters of Social and Humanistic Sciences, (2015) 60, S 22-33
Inhalt: 
Edward Said’s groundbreaking text, Orientalism is a contrapuntal reading of imperial discourse about the non-Western Other. It indcates that the Western intellectual is in the service of the hegemonic culture. In this influential text, Said shows how imperial and colonial hegemony is implicated in discursive and textual production. Orientalism is a critique of Western texts that have represented the East as an exotic and inferior other and construct the Orient by a set of recurring stereotypical images and clichés. Said’s analysis of Orientalism shows the negative stereotypes or images of native women as well. As a result, Orientalism has engendered feminist scholarship and debate in Middle East studies. For Said, many Western scholars, orientalists, colonial authorities and writers systematically created the orientalist discourse and the misrepresentation of the Orient. George Orwell as a Western writer experienced imperialism at first hand while serving as an Assistant Superintendent of Imperial Police in Burma from 1922 to 1927. One of Orwell’s major concerns during his life was the issue of imperialism and colonialism which is reflected in his first published novel, Burmese Days. Orwell’s own political purpose in this novel was to convince the reader that imperialism was morally wrong. Although he saw imperialism as one of the major injustices of his time and had declared himself against Empire, in Burmese Days, Orwell, consciously and unconsciously, repudiated his views and followed the Orientalist discourse. In this study, the authors demonstrate how Orwell maintains a white male Eurocentric imperialist viewpoint. The authors attempt to examine how the ‘female subalterns’ are represented in Burmese Days. While Oriental women are represented as the oppressed ones, they are also regarded as being submissive, voiceless, seductive and promiscuous.
Edward Said’s groundbreaking text, Orientalism is a contrapuntal reading of imperial discourse about the non-Western Other. It indcates that the Western intellectual is in the service of the hegemonic culture. In this influential text, Said shows how imperial and colonial hegemony is implicated in discursive and textual production. Orientalism is a critique of Western texts that have represented the East as an exotic and inferior other and construct the Orient by a set of recurring stereotypical images and clichés. Said’s analysis of Orientalism shows the negative stereotypes or images of native women as well. As a result, Orientalism has engendered feminist scholarship and debate in Middle East studies. For Said, many Western scholars, orientalists, colonial authorities and writers systematically created the orientalist discourse and the misrepresentation of the Orient. George Orwell as a Western writer experienced imperialism at first hand while serving as an Assistant Superintendent of Imperial Police in Burma from 1922 to 1927. One of Orwell’s major concerns during his life was the issue of imperialism and colonialism which is reflected in his first published novel, Burmese Days. Orwell’s own political purpose in this novel was to convince the reader that imperialism was morally wrong. Although he saw imperialism as one of the major injustices of his time and had declared himself against Empire, in Burmese Days, Orwell, consciously and unconsciously, repudiated his views and followed the Orientalist discourse. In this study, the authors demonstrate how Orwell maintains a white male Eurocentric imperialist viewpoint. The authors attempt to examine how the ‘female subalterns’ are represented in Burmese Days. While Oriental women are represented as the oppressed ones, they are also regarded as being submissive, voiceless, seductive and promiscuous.
Schlagwörter:Burmese Days; Contrapuntal Reading; Edward Said; Female Subalterns; Orientalism; Orwell; Representation
SSOAR Kategorie:Literaturwissenschaft, Sprachwissenschaft, Linguistik
Verfügbarkeit:https://doi.org/10.18052/www.scipress.com/ILSHS.60.22
Dokumenttyp:Zeitschriftenaufsatz
A Feminist Reading of East of Eden by John Steinbeck
Quelle: International Letters of Social and Humanistic Sciences, (2015) 63, S 145-150
Inhalt: East of Eden one of the most controversial works by John Steinbeck since its publication up to now has been receptive to many critical discourses in almost all of the critical approaches. One of the most important reasons to this critical reception is its wide circle of themes and symbolic nature. Having created a world full of universal values, Steinbeck succeeded to challenge many of these values. This paper tries to examine East of Eden with regard to feminist approach. By an over view of the main female characters in the novel especially Cathy Ames as devil incarnate and also the relationship between male and female characters, this paper intends to go through the issue much more deeply and find the dominant viewpoint dominating the whole atmosphere of the novel toward the expected role of women in society and family.
East of Eden one of the most controversial works by John Steinbeck since its publication up to now has been receptive to many critical discourses in almost all of the critical approaches. One of the most important reasons to this critical reception is its wide circle of themes and symbolic nature. Having created a world full of universal values, Steinbeck succeeded to challenge many of these values. This paper tries to examine East of Eden with regard to feminist approach. By an over view of the main female characters in the novel especially Cathy Ames as devil incarnate and also the relationship between male and female characters, this paper intends to go through the issue much more deeply and find the dominant viewpoint dominating the whole atmosphere of the novel toward the expected role of women in society and family.
Schlagwörter:Cathy Ames; East of Eden; Feminine; Feminism; John Steinbeck; Patriarchal
SSOAR Kategorie:Literaturwissenschaft, Sprachwissenschaft, Linguistik
Verfügbarkeit:https://doi.org/10.18052/www.scipress.com/ILSHS.63.145
Dokumenttyp:Zeitschriftenaufsatz
Images of the Female Countenance in Renaissance Literature
Quelle: International Letters of Social and Humanistic Sciences, (2013) 3, S 21-29
Inhalt: In her article "The politics of gender" Elaine Hobby gives a clear image of the confusion evoked in modern mentality by the juxtaposition of Renaissance literature and history. The romantic scenes portrayed in the wonderland of Renaissance poetry seem uncompromisable with the bare facts of historical record. As we contemplate the shadows obscuring the male permeated poetic language of the age however, we do discern spots of light illuminating the overall picture. The age has its own logic and its own language and although neither may be wholly appealing to the modern palate, both are, within their own historical framework, unequivocal and self-consciously assertive.
In her article "The politics of gender" Elaine Hobby gives a clear image of the confusion evoked in modern mentality by the juxtaposition of Renaissance literature and history. The romantic scenes portrayed in the wonderland of Renaissance poetry seem uncompromisable with the bare facts of historical record. As we contemplate the shadows obscuring the male permeated poetic language of the age however, we do discern spots of light illuminating the overall picture. The age has its own logic and its own language and although neither may be wholly appealing to the modern palate, both are, within their own historical framework, unequivocal and self-consciously assertive.
Schlagwörter:Renaissance; Literatur; woman; literature; Sprache; Renaissance; Dichtung; poetry; language; Male/Female Binary; Renaissance History
SSOAR Kategorie:Literaturwissenschaft, Sprachwissenschaft, Linguistik
Verfügbarkeit:https://doi.org/10.18052/www.scipress.com/ILSHS.3.21
Dokumenttyp:Zeitschriftenaufsatz