Rezension: Josch Hoenes, 2014: Nicht Frosch - nicht Laborratte: Transmännlichkeiten im Bild. Eine kunst- und kulturwissenschaftliche Analyse visueller Politiken
Autor/in:
Stänicke, Andrea
Quelle: GENDER - Zeitschrift für Geschlecht, Kultur und Gesellschaft, 7 (2015) 3, S 152-154
SSOAR Kategorie:Kultursoziologie, Kunstsoziologie, Literatursoziologie, Frauen- und Geschlechterforschung
Racial awareness in Phillis Wheatley's selected poems
Autor/in:
Mani, Manimangai
Quelle: International Letters of Social and Humanistic Sciences, (2015) 56, S 74-79
Inhalt: Slavery in America began when Africans were brought in as slaves to the North American Colony of Jamestown Virginia around 1619. Slavery in America lasted for almost four hundred years though the trade was legally abolished by Britain in March 1807 (Walvin 163). Although the trade ended, slavery itself continued to survive. Phillis Wheatley (1753-1784) is considered the first prominent Black writer in the United States to publish a book of imaginative writing. She is also the first to start the African-American literary tradition, as well as the African-American women literary tradition. Her work, which was derivative, was published in the collection, Poems on Various Subjects (1773) and in various magazines. Her choice of words was mostly biblical where it helped to camouflage her view on slavery. This paper intends to show that all of Wheatley's poems actually carried the theme of freedom. She has intelligently used this theme to articulate her desires in a subtle manner. On the surface, the poems are all preaching the greatness of Christianity to the readers and urging them to find solace through religion. She shows her racial awareness and resistance through various themes of the poems that she wrote. This paper highlights Wheatley's disapproval of slavery through her praise for religion, political commentaries, supporting elegies and death and finally through her escapism into an imaginary world.
Schlagwörter:Literatur; Bewusstsein; escapism; slavery; Freiheit; Rassismus; poetry; Sklaverei; USA; freedom; literature; Dichtung; consciousness; Eskapismus; United States of America; racism
SSOAR Kategorie:Kultursoziologie, Kunstsoziologie, Literatursoziologie, soziale Probleme
Rezension: Andreas Heilmann, Gabriele Jähnert, Falko Schnicke, Charlott Schönwetter, Mascha Vollhardt (Hg.): Männlichkeit und Reproduktion: zum gesellschaftlichen Ort historischer und aktueller Männlichkeitsproduktionen
Autor/in:
Sulzenbacher, Stefan
Quelle: Femina Politica - Zeitschrift für feministische Politikwissenschaft, 24 (2015) 2, S 167-169
SSOAR Kategorie:Kultursoziologie, Kunstsoziologie, Literatursoziologie, Frauen- und Geschlechterforschung
Quelle: International Letters of Social and Humanistic Sciences, (2015) 58, S 123-129
Inhalt: This article aims at studying the representation of the Orient in Pasolini's film Arabian Nights(1974). Since this film is a faithful adaptation of Thousand and One Nights it will be examined as carrying the same ideology which the text carries. The text of Thousand and One Nights established and legitimized orientalism in the west. Thus the movie follows suit in institutionalizing Orientalism. This is obtained by a close watching analysis and by looking at the images of the Orient, the plot itself, potential stylistic features which expresses images or attitudes in this regard. Our hypothesis is that the Orient in this movie is portrayed in accordance with notions of representation of the Other being depicted as, amongst other aspects, exotic, sexual, erotic and as a homogenous mass. Pasolini portrays Oriental men and woman as bodies in the duality of mind and body, and portrays them as a homogenous mass this is merely due to their belonging to a particular culture or race. The film represents the Oriental men and women as having a defining interest in sex and eroticism. It displays an exoticising Western view of the Oriental culture.
Schlagwörter:Erotik; eroticism; Orientalistik; Arab countries; Western world; Anpassung; culture; Film; film; westliche Welt; adaptation; Kultur; arabische Länder; orientalism; Darstellung; Pasolini, P.
SSOAR Kategorie:Kultursoziologie, Kunstsoziologie, Literatursoziologie, andere Medien
Quelle: International Letters of Social and Humanistic Sciences, (2015) 55, S 154-159
Inhalt: Margaret Atwood is the most prominent Canadian writer. Her feminist ideology is clearly obvious in her novels. She overtly illustrates her feminism view in human rights equality and freedom of choice. Atwood's works are consisted of the fundamental freedom and human rights. In general, her fictions truly portray the women's rights that are equal to men's rights. Social constructions of gender are attacked by Atwood's novels. Her stories represent the silence and sexual discrimination in female characters. She is not only looking for annihilating of the gender system i.e. women's subjugation, but look at men and women at the same level in society. Female bodies in Atwood's point of view have been captured in patriarchal societies. Female protagonists in the selected novels explain noticeable symbols of bodily nervousness. Female characters are mostly used as objects in Atwood's stories. Women are considered as a tool or toy, as if they have no feelings, opinions or rights of their own. Body in female characters plays an important role and it is symbol of sexuality. Female body in Atwood's selected stories is under the cruel dominance by male and that is what she always tries to portray under the sexual politics. This paper aims to illustrate sexual politics though female body in Atwood's selected works.
SSOAR Kategorie:Kultursoziologie, Kunstsoziologie, Literatursoziologie, Frauen- und Geschlechterforschung, Allgemeine Soziologie, Makrosoziologie, spezielle Theorien und Schulen, Entwicklung und Geschichte der Soziologie
Unblinding history through literature in Tanushree Podder's, escape from harem
Autor/in:
Mani, Manimangai
Quelle: International Letters of Social and Humanistic Sciences, (2015) 53, S 60-67
Inhalt: The history of India had been coloured by series of brutal invasion, torture, bloodshed and massacre in the name of religion and conquest. One of the most remembered invasions is by the Mughals in the beginning of 16th. century where Babar successfully established the Mughal dynasty in 1526. The Mughal dynasty, from the eyes of the historians is one of the most dynamic dynasty which possessed splendour, wealth, bravery, artistic architecture and conquerors who fought to glorify Islam. While historians and history were limited to the study of chronological events, the historical novel Escape from Harem took the liberty to peep into the human and humanity of this dynasty; a scope which is deep irrelevant in the study of history. This paper intends to show how Tanushree Podder exposes some unknown episodes from the history of these great conquerors and builders through her novel, Escape from Harem. Strings of episodes and secrets which may not be deemed important by historians are revealed as the readers follow the journey of the girl who is taken into the harem. These episodes will be seen in the light of new historicism. This research reveals the dark side of the dynasty which are as intriguing as the magnitude of splendours which are identified with this kingdom and its rulers. The untold stories from the darkest chamber of the harem, massacre, filicide, fratricide, animalistic behaviour of emperors and the oppressive treatment cast upon women that was carried from one generation to another in the name of power and conquest will be brought to light through this research.
Quelle: International Letters of Social and Humanistic Sciences, (2015) 50, S 86-90
Inhalt: Canadian novels have witnessed a movement from description to more different analytical and interpretative directions. Margaret Atwood's oeuvres are belonged to the postmodern literary field of feminist writing. Her fictions show a severe alertness of the relationship between chains and slavery, i.e. between women's requirement for relationships with others and her requirements for freedom and autonomy. In this paper, The Handmaid's Tale, Bodily Harm, Surfacing, and The Edible Woman will be surveyed in a direct relationship between politics, violence and victimization of female protagonists. An examination on Margaret Atwood's novels demonstrates that she is pioneer in the dimension of time by being a revolter against the patriarchal society.
A study of Carter's Wolf-Alice based on showalter's gynocriticism
Autor/in:
Nouri, Azadeh; Aziz Mohammadi, Fatemeh
Quelle: International Letters of Social and Humanistic Sciences, (2015) 48, S 1-8
Inhalt: One of the most radical and stylish fiction authors of the 20th century, Angela Carter, expresses her views of feminism through her various novels and fairy tales. Carter began experimenting with writing fairy tales in 1970, which coincided with the period of second wave feminism in the Unites States. The majority of Angela Carter's work revolve around a specific type of feminism, radical libertarian feminism and her critique of the patriarchal role that have been placed on women. In this article, the main concentrate is on heroine’s internalized consciousness which echoes in their behavior. All of the female protagonists in carter's short stories; such as The Company of Wolves, and Werewolf and mainly in Wolf-Alice have similar characteristics with different conditions, in which they are represented in a very negative light with less than ideal roles. In these stories, the protagonist is a young girl who has many conflicts with love and desire. Carter attempts to encourage women to do something about this degrading representation.
Feminism and the hard-boiled genre: breakdown in Sara Paretsky's breakdown
Autor/in:
Jabbari, Mohsen; Beyad, Maryam Soltan
Quelle: International Letters of Social and Humanistic Sciences, (2015) 45, S 24-34
Inhalt: As feminist re-writings of the genre of crime fiction (mostly the hard-boiled) from the 1980s onward, Sara Paretsky's Warshawski novels provide a fertile field for critical and cultural studies. The aims of this paper are twofold: first, it traces the generic influences on her latest novel Breakdown (2012) beyond the obvious male precursors of the hard-boiled (Dashiell Hammett and Raymond Chandler) of the interwar period to the Gothic vogue in the early 19th century; and second, drawing on Roland Barthes's notion of readerly/writerly texts, Pierre Macherey’s critique of ideology in realist fiction, and Fredric Jameson's dialectical view of genre, it teases out the symptomatic fissures and contradictions in Paretsky's novel which betray the text’s inability to ultimately resist the ideology it intends to subvert.
Quelle: International Letters of Social and Humanistic Sciences, (2015) 51, S 158-167
Inhalt: Masculine crisis has always been with men and presented in masculine studies, but it becomes popular in the post modern era after crucial events such as feminism, the world wars, economical problems, etc. The issue of masculinity and masculine crisis exists in works of Ian McEwan and this study applies masculine crisis on his Enduring Love (1994). Most of McEwan’s characters are men who seek to find their places in post modern era. Thus this paper focuses on masculine crisis which emerges in Joe Rose, the male protagonist of this novel, when the shattering moments in the beginning of the novel threaten his power and authority which is very important in masculinity of men. There is another factor (homophobia) in the novel that leads him toward masculine crisis as well. All through the novel the male character tries to regain his lost authority and power. At the end of the novel, he somehow overcomes masculine crisis. This paper uses Butler's theory of gender and other critics of masculine studies.