Lexis and mood as markers of feminist ideology in tunde Kelani's Arugba and Ma'ami
Autor/in:
Akinmameji, Oluwayemisi Olusola
Quelle: International Letters of Social and Humanistic Sciences, (2016) 71, S 71-82
Inhalt: Although the negative representation of women in Nollywood movies is worrisome to scholars, they have done little as regards exploring the feminist linguistic analysis of these movies. Studies have focused on the misrepresentations of women with emphasis on the literary perspectives. This paper attempts a lexical and sentential analysis of feminist ideology of two Nollywood movies. The study adopted Norman Fairclough's model of Critical Discourse Analysis to explain way linguistic are used to instantiate feminist ideology in the movies. Arugba and Maami produced by Tunde Kelani were purposively sampled because of the gender issues in them. Though some movies merely project women as witches and sex slaves, these two movies stand out among those that project the strengths of womanhood. The movies attempt to correct the negative impression about women. Linguistic features such as the lexical indices and mood system are examined. Larger scale features such as allusion and simile are also explored. The study suggests that despite the rot in the value system of the present day Nigeria, there are still women who pass for the ideal. Also, it was discovered that women can determine their fate regardless of what roles the society gives them and could survive even under the worst patriarchy. Beyond their weaknesses, women are necessary to maintain tranquility in the home and the larger society. This paper recommends that movie stakeholders should give responsible roles to women and women should be sensitive and alive to their responsibilities as regulators of the social political Nigerian entity.
Multiple perspectives toward women in Joseph Conrad's Heart of Darkness: a feministic overview
Autor/in:
Fakhimi Anbaran, Farough
Quelle: International Letters of Social and Humanistic Sciences, (2016) 66, S 129-134
Inhalt: Undoubtedly, in spite of all those efforts done during the years, the mentality towards the superiority of male over female is still being reflected in the works of art written by men. Joseph Conrad, the Polish author, who wrote great masterpieces in English, is not an exception. His great work of art, Heart of Darkness, reflects multiple perspectives towards women. By applying a Feminist approach towards this novel, this article tends to present an analytical overview of the mentality of men towards women in the written work of art, Heart of Darkness.
The context specific factors affecting women empowerment and empowerment's implications for resource allocation, awareness and fertility: an econometric analysis
Autor/in:
Toufique, Mohammad Mokammel Karim
Quelle: International Letters of Social and Humanistic Sciences, (2016) 66, S 38-44
Inhalt: Using data from a survey of Bangladeshi households, this paper constructs an index of women empowerment and explores both the determinants of empowerment of married women and the impacts that empowerment has on various aspects of a woman's life. The findings reveal that female education, her involvement in income generating activities (both formal and informal) and the structure of the household (unit or extended) are important determinants. As regards the impacts of empowerment on the female's life, the paper finds that empowerment affects her food intake and expenditure patterns in quantitative and qualitative terms - it positively impacts women's nutritional status and health care and confers positive impacts on taking family planning measures. Also empowered women’s behavior is less discriminating when it comes to serving food among family members.
Schlagwörter:woman; Bangladesch; Bangladesh; wirtschaftliche Faktoren; economic factors; Konsum; consumption; Lebenssituation; life situation; Ernährung; nutrition; Gesundheitsversorgung; health care; Auswirkung; impact; Familienplanung; family planning; Bewusstsein; consciousness; Frauenförderung; advancement of women; Ressourcen; resources
SSOAR Kategorie:Frauen- und Geschlechterforschung, Familiensoziologie, Sexualsoziologie, Wirtschaftssoziologie
Quelle: International Letters of Social and Humanistic Sciences, (2016) 70, S 14-20
Inhalt: Patients' viewpoints are commonly used to assess quality of care in diverse healthcare organizations. This permits managerial decisions to be made based on knowledge rather than conjecture. The purpose of the current study is to investigate quality gap of family health care through measuring differences between clients' perceptions and expectations at Kashan city health centers in Iran.Methodology: A cross-sectional design was applied in 2013. The study sample was composed of 384 women clients of family health services randomly selected from Kashan city health centers. The SERVQUAL questionnaire was used for data collection. Service quality gap was measured by computing the difference between the rating respondents assign to expectations and perceptions statements. For pair wise comparison of the expectations and perceptions the Wilcoxon Signed Rank test was used. Internal consistency of the scale was confirmed with Cronbach's Alpha coefficients (.81 for expectations and .84 for perceptions).Findings: In all dimensions of the services a significant (P<0.001) negative quality gap was observed. The maximum quality gap was in the tangibility (-0.60±0.37) and the minimum one was in the responsiveness (-0.41±0.31) dimension. The findings of the research demonstrated that there was negative gap between clients' expectations and perceptions in all dimensions of the services. Thus, family health care managers should apply improvements in all five dimensions of the services.
Schlagwörter:quality; perception; Iran; Gesundheit; Erwartung; Iran; Management; Wahrnehmung; health care; Familie; Gesundheitsversorgung; expectation; public health services; Qualität; woman; management; family; health; Gesundheitsdienst; Patient; patient
An assessment of women's accessibility to poverty alleviation programmes in Kano State, Nigeria
Autor/in:
Bello, Aduke Olufunmilayo
Quelle: International Letters of Social and Humanistic Sciences, (2016) 73, S 54-61
Inhalt: This study examines the accessibility of women to Poverty Alleviation Programmes (PAP) in Kano State, Nigeria. The aim of the study was to identify the poverty alleviation programmes and assess the difference that exists btetween rural and urban women's access to them. The results revealed that there was no significant difference between the accessibility of rural and urban women to PAP in the study area (Chi-square value = 9.196 (df) 1, p = 0.002). Consequently, it is recommended that the government should ensure proper periodical assessment and review of the administration and implementation of PAP in the study area. This will make the accessibility of women to the programmes result oriented. This will enhance the achievement of proper awareness among women and increase their accessibility to Poverty Alleviation Programmes in Kano State, Nigeria.
Quelle: International Letters of Social and Humanistic Sciences, (2016) 68, S 55-60
Inhalt: An imitation of the literary styles and modes of expression of the great writers in the post-World War II was the criterion of success for any male or female writer. The conventions of T.S. Eliot and W.H. Auden influenced the poetics and thought of the younger generation poets. For example, Adrienne Rich (1929-2012) was an ardent disciple of these conventions in her early career. She was influenced by the phallogocentric discourse of subject formation. She followed this man-made discourse to be accepted within the literary circle as a successful woman writer, but she realized that this discourse didn’t help women in the expression of their female voices. This study explores the failure of the phallogocentric techniques and modes of writing in the expression of Rich's female voice in An Unsaid Word (1951). The study is conducted in the light of Lacanian Symbolic system of identification. The study concludes that Lacanian system of identification was behind the distortions of meanings associated with women and the failure of the symbolic order in the self-expression of Rich's female character in her poem An Unsaid Word.